The Godmother of Drug Trafficking Essay Example | Topics and Well Written Essays - 750 words

The Godmother of Drug Trafficking - Essay Example A lady employing a violent approach to her business, Griselda Blanco caused ripples in the southern region. She also went by the name; Verucca (a tough and fearless woman) among her dug related enemies (Davies 124). It is the violent nature of her business transaction that caused the intentional deaths of more than 200 people. The deaths show that Blanco was not hesitant to ward off any person who threatened her business. She did not tolerate any unwanted competition or betrayal during her reign. Those who would betray her were punished accordingly (Davis 124). At the tender age of her life, she is alleged to have kidnapped, asked for a ransom and firing a shot the kidnapped child from the well off part of her slum dwelling. At 14, she became a prostitute but later moved to the United States where her drug trafficking business kicked off. This history documents the inappropriate background that aided her ruthless and violent nature. Bob Polombo, US DEA (Drug Enforcement Administration) agent said that â€Å"I just think it was inherent to Griselda Blanco. This goes back to her life, the way she was brought up. She was just a violent person† (Brown 96). Her first dwelling while in the United States was New York. She did not last long as she was eventually indicted bur fled to Miami where her business remained rooted for a long time. Among the most vivid case of her ruthlessness, the infamous bout with her rival drug dealer stands out. She commanded her gang to head to the Dadeland Mall (the busiest area in Miami) in her villainous white Econoline van to face off with the rival. (Swartz 193). The van was actually a â€Å"war wagon† because â€Å"its sides were covered by quarter-inch steel with gun-ports cut into them† (Brown 96). More so, the violent exchange of fire occurred in broad daylight. Ingram Mac-10 machine pistols and Baretta automatic handguns were widely used in this confrontation. (Swartz 193). What followed was a massacre that puzzled the Dade county coroner. He is quoted as describing it as â€Å"Swiss Cheese†. The continuation of her reign as the most fierce drug lord was facilitated by her most trusted commander tagged â€Å"Rivas†. She entrusted Rivas with heading her group of killers known as Pisteleros. (Riano-Alcala 42). Pisteleros and the subsidiary group known a s the Motorcycle assassins were the main enforcers to the smuggling work. With this group, she would organize a network of women who were mostly widows and use them in smuggling the cocaine all over the United States. She created a lingerie so that her female traffickers would ferry her drugs without being detected (Surovell 4). By protecting her business empire, she had massive success as her operations expanded greatly in the 1970s. She received large quantities of cocaine from Colombia. She was able to rake in large amounts of money (Brown 96). She eventually became one of the richest self made millionaires as well as the most powerful in Miami and its environment. The â€Å"black widow† was the name that she was branded due to her murderous instinct towards her husbands. (Smitten 2). Her sociopathic behaviors towards her husbands put in total disregard all the achievements of the pairs. Her admirers who dared to cross her path were not spared. She would either hire profes sional contract killers to execute the murders or do it herself. The most inhumane murder was that of Trujillo. Trujillo was eventually not credited by Blanco for introducing her to the dangerous world of guns, murderers, and the drugs in the Medellin Cartel (Gugliota 8). Although he taught her all the useful tricks of drug trafficking, he was a victim of her wrath over a small business dispute (Surovell 4).

Public relations (report) More info in the attachment Essay

Public relations (report) More info in the attachment - Essay Example The role of the proposed PR department would be more than merely creating images, and more than â€Å"just learning the labels that identify the parts of the disciplines within arts†. The department can be set the vision of transforming a passive consumption of art into a more engaging activity for the general public. This need not only apply to esoteric and exclusivist art forms identified as such. Even quotidian encounters with popular cultural artefacts can be illuminated through knowledge of the history and aesthetics behind dominant art forms. (Blewett, 2004) The Public Relations department will strive to replicate the successes met by similar institutions in the USA and Britain. A notable example is the formation of West End Community Council in 1965, which â€Å"sponsored a series of arts festivals as a way to bring whites and blacks together in a creative and social atmosphere. Likewise, in 1966 a group of young black artists, frustrated with their inability to crack into the local gallery scene, invited white and Asian American friends to help them start their own, calling it the Louisville Art Workshop.† (K'Meyer, 2001) The envisioned PR department can be an instrument of social integration and progress in the Australian context, by conceiving, promoting and organizing similar arts campaigns in the state. The applicability of American examples emerge from Australia’s own history of Aboriginal disenfranchisement and other forms of racial prejudice. (K'Meyer, 2001) The effectiveness of the Arts Council in the UK is in significant measure related to the well-thought out, aptly targeted public relations campaigns that it executed. (Sheehy, 2002) The proposed PR department will take the lead from the Arts Council and project cinema as a legitimate art form, as opposed to its current status as a means to entertainment. A sizeable portion of the PR department’s budget will be devoted to developing a strong patronage for cinema, es pecially of the art-house and independent streams, as it is here that critical engagement with public issues tend to occur. This way, it would align with the broader objectives of the State Government Department of Youth Arts. The PR department will act as a liaison between the government and the youth in the state by also promoting contemporary/emerging art forms. In this era of rapid technological advancement, fields like Web Design have evolved their own unique craftsmanship and aesthetics. The Web Design is a key part of the IT industry and employs thousands of youth – â€Å"non-tech businesses will always have a need for talented graphic artists†. ("The Arts Communications, 2002) Thus, integrating this field into the youth arts ambit will fulfil a key goal of the Australian state and national governments, namely that of job creation. For example, â€Å"companies are looking for creative people who understand a visual medium and are capable of keeping eyes glued t o the screen with dazzling graphics and good design. Many companies are eager to hire qualified people with art, art history, and design backgrounds.† (The Arts Communications, 2002) The added advantage here is the consolidation of commercial opportunity with the growth of arts. The proposed PR department will play a vital role in communicating this message to all